Meaningless Work
2016–

After 20 years of using herself as a model in her pictures, Brotherus felt that she had done all the poses someone could possibly do with their body. The way out of this dead end came through Fluxus. In 2016 at her nomination for the Prix Elysée, she started to use Fluxus event scores and other written instructions by artists as the basis of new work. Meaningless Work is a still on-going series. It keeps her curious and allows her to make new discoveries, all while continuing to do what she knows best: "It enables me to get back both in front and behind the camera. Citing Arthur Köpcke: "People ask: Why? I ask: Why not!”