Sanna Kannisto’s photographic works explore the intersection between nature, science, and art. Her photographs are a study of different methods, approaches, and theories in how humankind interacts with our natural environment. Throughout her numerous travels Kannisto moves between her subjects like a visual researcher who gathers, borrows, and applies different methods from the natural sciences, which she then juxtaposes with the traditions used in creating still life paintings.

Historically, explorers could be artists as well as the other way around, and Kannisto enjoys playing both roles. Her aesthetic pleasure meets with her scientific curiosity, blending together to find a neutral balance that enables her to form a photographic world of her own characters. Kannisto utilizes her extraordinary sense for separating her protagonists of choice from their natural habitat by staging them in front of a white or black background in the same fashion as a classical painter would in his staged studies.

Throughout her entire career Kannisto has pioneered this very personalized method of approaching her subjects by controlling the parameters of how she photographs them. Calculating the unsuspected through preparation and foresight lends Kannisto the ability to capture the magic of the unpredictable and the poetry that resides within. Intimate interactions and reciprocal discoveries unfold between the artist and her figures. She studies their behavior and appearance as they study her. Kannisto states: "Being with a bird is utterly unique, It’s moving. I look at the bird and it looks at me. For a moment we have some kind of shared thought. It’s kind of a mutual examination.” Her photographs speak a language without words and share the pleasure she feels in knowing it.

Sanna Kannisto was born in Hämeenlinna, Finland, in 1974. She lives and works in Helsinki. Kannisto graduated from the Aalto University School of Arts, Design and Architecture in 2002. She has held solo exhibitions in several international venues and attended numerous group exhibitions in institutions such as The Museum of Photography Seoul (South Korea, 2018), Metronom Gallery (Modena, 2017) and Ateneum Art Museum (Helsinki, 2017).