Translucents

The series Translucents is based on the idea of abstraction discovered in architecture. Vasko is questioning the classic way to perceive the object and the space in the picture. From this perspective, the pictures are placed in between the limits of the abstract and the recognizable. In her interpretation the true nature of architecture is in translucencies, distortions and reflections on surfaces as much as in aging and the wearing out of materials. Some objects of these images exist in reality and some of them are scale models that Vasko built herself. By building models she controls the nature and she hints to the viewer what there really is in the image. What happens in the viewers mind when the necessities for the perception of space are getting less and less in the picture?